Charted with explicit permission from the artist.
Artist's notes:
this short prelude is in ternary (ABA) form. the A section features heavy use of staccato and chromaticism/scalar passages (especially in the left hand), with the intent of evoking a Scarlatti sonatina baroque vibe. the B section, starting from measure 17, uses more modern harmony and features much usage of the sustain pedal, in contrast to the A section. the A section then reappears after 16 bars to round out the piece.
(Un?)fortunately, there is no accompanying fugue with this prelude; it's not like this is the WTC, anyways.
Mmm... ternary form...
~ Janise
